Rock In Peace… and More

Entra nel rock

Chi c’è dietro

La mia storia nel rock, la visione del blog e il dietro le quinte degli articoli che leggi.

An intimate, photographic close-up of a well-traveled rock fan’s collection corner: a battered leather backpack slumped against a vintage tube radio and a small stack of anonymous gig ticket stubs suggested by blank, slightly yellowed rectangles. A compact map with creased folds lies partially open, its markings blurred and illegible, next to a pair of noise-canceling headphones with worn ear pads and a coiled cable. The scene is set on a scarred wooden floor beside a bed, with soft golden hour light filtering through unseen curtains, casting long, gentle shadows and highlighting textures in leather, paper, and metal zippers. Shot from a top-down, slightly angled perspective with moderate depth of field, the composition feels personal and story-driven. The mood is reflective yet adventurous, hinting at road trips following rock tours and discovering hidden music landmarks.
A wide, photographic view of an empty rock club interior just before doors open: a low stage with monitors and mic stands, towering speaker stacks, and a drum kit silhouetted against a faint haze of machine smoke. The sticky, dark wooden floor reflects streaks of colored light from overhead fixtures set to deep reds and electric blues. Scuffed walls are lined with anonymous framed shapes suggesting album covers, all carefully blurred and without readable text. Shot from the back of the room at eye level with sharp focus throughout, the composition leads the eye along the center aisle toward the stage. The atmosphere feels charged, expectant, and unapologetically bold, as if the room itself remembers every legendary punk and indie show played here.

Chi scrive, perché questo rock

Ho 37 anni e questo blog è la casa digitale di tutte le fissazioni che mi tengono sveglio la notte: musica, vinili, concerti, libri e film.

Ascolto un po’ di tutto, ma mi nutro soprattutto di punk, rock, indie, reggae e alternative. Dal vivo ho seguito una lunga carrellata di artisti: AC/DC, Metallica, Elton John, Chuck Berry, Lady Gaga, The Damned, Alice Cooper, Aerosmith, Placebo, The Prodigy, Iron Maiden, Guns N' Roses, Foo Fighters, Marky Ramone, Sting, Ennio Morricone, Vasco Rossi, Bob Dylan, Iggy Pop, Jack White, The Hives, Jon Spencer… e la lista è ancora aperta.

Con Rock In Peace… and More voglio raccontare la musica come la vivo io: tra viaggi improvvisati per inseguire un concerto, notti insonni a girare dischi e quella sensazione di essere sempre un po’ sotto palco, anche quando sei solo davanti allo schermo.

Leggi la mia storia completa
A dramatic, photographic realism image of a solitary microphone stand at the center of an otherwise empty festival stage, flanked by towering line arrays and distant drum risers. The stage floor is a matte black surface scattered with nondescript pedalboards and coiled cables, all without text or identifiable logos. Beyond the edge of the stage, a vast sea of empty crowd barriers and lighting towers stretches into the horizon under a cloudy dusk sky. The scene is lit by intense, cool-toned spotlights from above and behind, creating a glowing rim of light around the microphone stand and casting long, converging shadows toward the viewer. Captured from a low-angle, wide-lens perspective, the composition feels epic and anticipatory, embodying the bold energy of rock concerts moments before the band storms on.
A stack of classic rock, punk, and indie vinyl records arranged on a rough wooden table, their sleeves turned so no titles or faces are visible, only blocks of bold, abstract color and worn edges. On top sits a matte-black turntable with a transparent dust cover half-open and the tonearm hovering just above a spinning record, its grooves catching the light. The scene is lit by warm, late-afternoon window light from the side, creating soft highlights on the vinyl and gentle shadows that emphasize texture. Photographic realism, shot from a slightly elevated angle using a shallow depth of field so the front record and stylus are razor sharp while the background records blur into a creamy bokeh. The mood is nostalgic yet energetic, celebrating the ritual of discovering albums that changed rock history.
A nocturnal, photographic cityscape featuring a legendary rock music street: a row of compact, neon-framed venue facades with anonymous, unlit marquees and poster-covered walls reduced to torn, colorful shapes without readable text. The wet pavement gleams as if after rain, reflecting streaks of magenta, cyan, and amber from neon signs and traffic lights. A lone guitar case silhouette rests upright against a brick wall, its latches slightly tarnished. Captured from a low, wide-angle street-level perspective, the composition emphasizes depth as the venues recede into the distance under a moody, cloudy sky. The lighting is dramatic and cinematic, with pockets of shadow between pools of neon glow. The atmosphere is bold, gritty, and slightly melancholic, evoking late-night rock pilgrimages and stories of unforgettable gigs.