Concerti ed interviste

Qui racconto le mie serate ad ascoltare gruppi di ogni genere e anche alcune interviste interessanti!

A dramatic, photographic realism image of a solitary microphone stand at the center of an otherwise empty festival stage, flanked by towering line arrays and distant drum risers. The stage floor is a matte black surface scattered with nondescript pedalboards and coiled cables, all without text or identifiable logos. Beyond the edge of the stage, a vast sea of empty crowd barriers and lighting towers stretches into the horizon under a cloudy dusk sky. The scene is lit by intense, cool-toned spotlights from above and behind, creating a glowing rim of light around the microphone stand and casting long, converging shadows toward the viewer. Captured from a low-angle, wide-lens perspective, the composition feels epic and anticipatory, embodying the bold energy of rock concerts moments before the band storms on.

Kallidad – Intervista

Un’intervista esclusiva con la band, tra storie di concerti indimenticabili e passioni musicali.

The BellRays – Intervista

Chiacchierata a cuore aperto con i The BellRays, tra energia soul-punk, ricordi di palco e nuove ispirazioni rock.

The Forty Fours – Intervista

Rock, energia e voglia di conquistare il mondo: incontro con i The Forty Fours, una delle band più elettrizzanti della scena rock attuale.

Erin K – Intervista

Cantautrice dall’animo delicato e ironico: una chiacchierata tra Londra e ricordi italiani, tra dischi, tour e nuove canzoni.

The 100 Club – Live 24 Luglio

Una serata indimenticabile al leggendario 100 Club di Londra con David Viner, Mimi & The Miseries e i Soledad Brothers: musica dal vivo nella sua forma più pura.

SUX SUX SUX – Intervista

Garage, surf e punk senza filtri: i SUX SUX SUX scatenano un’onda di rumore e melodia che ti sveglia dal primo accordo.

Prossimi concerti rock

26.09.2026

Razzmatazz

The Damned

Barcellona

02.10.2026

Locomotiv Club

The Lemon Twigs

Bologna

30.10.2026

Bronson Club

The Fleshtones – 50th Anniversary

Ravenna

A stack of classic rock, punk, and indie vinyl records arranged on a rough wooden table, their sleeves turned so no titles or faces are visible, only blocks of bold, abstract color and worn edges. On top sits a matte-black turntable with a transparent dust cover half-open and the tonearm hovering just above a spinning record, its grooves catching the light. The scene is lit by warm, late-afternoon window light from the side, creating soft highlights on the vinyl and gentle shadows that emphasize texture. Photographic realism, shot from a slightly elevated angle using a shallow depth of field so the front record and stylus are razor sharp while the background records blur into a creamy bokeh. The mood is nostalgic yet energetic, celebrating the ritual of discovering albums that changed rock history.
A nocturnal, photographic cityscape featuring a legendary rock music street: a row of compact, neon-framed venue facades with anonymous, unlit marquees and poster-covered walls reduced to torn, colorful shapes without readable text. The wet pavement gleams as if after rain, reflecting streaks of magenta, cyan, and amber from neon signs and traffic lights. A lone guitar case silhouette rests upright against a brick wall, its latches slightly tarnished. Captured from a low, wide-angle street-level perspective, the composition emphasizes depth as the venues recede into the distance under a moody, cloudy sky. The lighting is dramatic and cinematic, with pockets of shadow between pools of neon glow. The atmosphere is bold, gritty, and slightly melancholic, evoking late-night rock pilgrimages and stories of unforgettable gigs.
An intimate, photographic close-up of a well-traveled rock fan’s collection corner: a battered leather backpack slumped against a vintage tube radio and a small stack of anonymous gig ticket stubs suggested by blank, slightly yellowed rectangles. A compact map with creased folds lies partially open, its markings blurred and illegible, next to a pair of noise-canceling headphones with worn ear pads and a coiled cable. The scene is set on a scarred wooden floor beside a bed, with soft golden hour light filtering through unseen curtains, casting long, gentle shadows and highlighting textures in leather, paper, and metal zippers. Shot from a top-down, slightly angled perspective with moderate depth of field, the composition feels personal and story-driven. The mood is reflective yet adventurous, hinting at road trips following rock tours and discovering hidden music landmarks.